Poetry 2024

Ruth Awad’s “How to Lucid Dream” from Honey Literary

Steven Espada Dawson’s “Search Party” from Guernica

Diamond Forde’s “Southern Fried Catfish” from Bellingham Review

Nicole Homer’s “One of us is still alive and will prove it.” from Blackbird: an online journal of literature and the arts

Tyler King’s “Greek Theater” from The Margins

Stefanie Kirby’s “Self-Erosion” from River Mouth Review

Jennifer Martelli’s “American Dream” from Under a Warm Green Linden

James McDermott’s “James” from The Cardiff Review

Sihle Ntuli’s “Blues for King Kong” from Aquifer: The Florida Review Online

Porsha Olayiwola’s “Rodney King Mistakes The Deep End Of His Swimming Pool For The Atlantic Or Police Brutality Is A Middle Passage, Is A Flood” from The Quarry: A Social Justice Poetry Database

Sodïq Oyèkànmí’s “self-portrait as a boy languaging through fragmental spaces” from Longleaf Review

Vivian Faith Prescott’s “Seawall” from The Dodge

Claire Rychlewski’s “Wifetime Visions” from The Broadkill Review

t.r. san’s “barber on [] island” from The Dawn Review