Greek Theater

Because we can’t go to the lovers’ Trojan tombs, 
we find ourselves here—off the path—the legions 
of cypress at our backs. 
Nearby, the Theban skeletons rest 
unearthed, still hand-in-hand. A wartime miracle, 
that we still see their bodies twined. We stand at the stone lion’s feet,
close enough to see sharp cracks through its body—
the cuts a sign of restoration or wear— 
but we cannot get lost in significance we can’t understand… 

Back to these bodies. Small pockmarks in their bones,
giving way to deeper gashes; your hand at my back. 

In the Hesperides’ garden west of the world, Heracles holds
the heavens for a golden apple. In the picture books
my father reads me, there are no apples. Instead, eternal life
blossoms on the branches of a peach tree every three thousand years. 

In Athens, we watch a student troupe 
perform a tragic Turandot
the oriental masks faux-antique, the scene 
ungraspable. 

We return to our hotel 
overlooking the Aegean. I 
cannot sleep. The night is warm, 
the window open. A shrink-wrapped I Ching 
on the table, for your concert 
next week: Cage’s indeterminate score. The moon ripples 

in my wine-dark glass, and I 
wonder how we ended here. But I’ve not rented room
to hide my doubts. I love you; 
I am subject to your European imagination.

—Tyler King (The Margins)

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